NEWSLETTER No. 17 - FEBRUARY 7th 2006
Dear Readers,
Theme of the fortnight is the Montpellier opera house, a
grand construction overlooking the
central square, the Place de la Comédie. The theatre we see today is
the city's third, the two previous ones having burned down, set ablaze
by naked flames used for lighting. In celebration of the 250 years of
existence of a real theatre, the city of Montpellier is currently
holding an exhibition in the central library, highlighting the role in
public life and history
of the theatre.
Montpellier opera house has a rich cultural
calendar with classical and contemporary pieces, symphonies and operas.
Top property is an
outstanding and unusual property built 1982, and forerunner in
the region in the use of renewable energy sources. The warmth of its
interior contrasts with the clean architectural lines of the exterior
designed to maximise the benefit of the sunlight of southern France.
This is an exemplary house in
terms of construction methods and forethought on renewable energy.
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Theme Of The Fortnight: Montpellier Opera House
The Montpelliérains long held a real appreciation of the theatre which
reflected their relative wealth, and interest in culture. Until the
construction of the first theatre in 1755, actors were obliged to
perform in bourgeois town houses or public squares. The Duc de
Richelieu, governor of the Languedoc province from 1752 was
instrumental in getting the project of a real public theatre off the
ground. He assigned the work
to an architect of King Louis XV.
The first theatre in Montpellier was inaugurated, while still
unfinished, in 1755. It was modeled on
Italian theatres devised for the "Comedia dell'Arte", essentially a
high ceiling rectangular building divided in two, on one side, the
stage and actors boxes, and on the other, the main hall and spaces for
spectators. The Italian theatre also brought the innovations of
machinery to lower curtains and decors and means for the actors to
enter the stage from backstages. The theatre in Montpellier had an
entrance foyer with stairways to the galeries, a stage, an orchestra
pit, a flat main hall and actors boxes. It was built alongside a jeu de
paume and billiards rooms. Sadly, on December 17th, 1785, the theatre
burnt down.
The construction of the second theatre was the opportunity to open up a
square before it - what was eventually to become the Place de la
Comédie. Despite it being unfinished, the first plays were performed in
the second theatre in 1787. Improvements were made to the theatre
throughout the 19th century, but on April 6th, 1881, the
theatre burnt down. Once again the city voted to rebuild the theatre.
This time, presiding the jury choosing the design was Charles Garnier,
architect of the flamboyant Opéra Garnier in Paris. The chosen project
was that of an understudy to Garnier, hence the architectural
similarities.
The third theatre was inaugurated, again unfinished, in 1888. It was
built
rapidly on the orders of the Mayor of the day, Jules Pagézy, who went
about the considerable task of modernisation of the city. Pagézy
commissioned a
full electrical installation - lighting and machinery - for the new
theatre, which also saw a more permanent set of actors and the founding
of a city orchestra. The mayors considered particularly important the
role of the theatre for the local bourgeoisie, and its educational role
for the working classes. As was the case during the French revolution
nearly 100 years previously, the rulers of the country considered that
access to culture and education was instrumental in bringing the poor
away from the grip of the Church.
The architect's rendering from 1884 shows the theatre very much as it
is today, with three rectangular doorways above each of which there is
a balcony and vast arched windows beside which run decorative
colonnades.
A Colourful Past
In the eighteenth century, the chief policeman addressed a report to
the
Mayor of the previous nights performance. These relate the unfolding
of the performance, their popularity, and any incidents, with sometimes
a comical
report of the poor performance of singers who were booed off stage. In
1786 a
certain number of theatre goers signed a petition requesting that women
spactators take off their particularly "monumental" hats - decorated
with flowers and ribbons - during performances,
such that they no longer hindered the view of many spectators. The
mayor of the day had to take the difficult decision of obliging the
fairer sex to
withdraw their hats, thus showing their hair and necks.
Performances - Past and Present
The inauguration of the first theatre was with the opera Pyrame and
Thisbé by Rebel and Francoeur - spectacles of various sorts were
held at the time -
operas, comedies and tragedies. Seasons opened in the autumn and come
to a close in the summer. A permanent set of actors, singers and
musicians was established from 1783. The inauguration of the second
theatre was with a play with ariettas, L'ami de la maison de
Marmontel
and
Grétry. Lighter lyrical pieces hence made their way into the program,
with comic, Vaudeville plays and farces. The third theatre was
inaugurated with Les Huguenots de Scribe by Deschamps and
Meyerbeer, a
play repeatedly performed in Montpellier with great success. Legendary
performers such as Sara Bernhardt were also to perform. The second
world war brought a halt to proceedings and the post war period was one
of uncertainty in which the theatre was rented out to amateur groups.
The Montpellier orchestra was founded in 1979 bringing about a
renaissance of the theatre, and soon afterwards, operas were performed
again.
In 2006, performances between February and June include Così fan
tutte, Cyrano
de Bergerac and Le nozze di Figaro. A full program can be
found at the
orchestra and opera web sites: www.orchestre-montpellier.com
and
www.opera-montpellier.com.
Top Property Of The Fortnight:
Top property is situated
in a village with all necessities and small
supermarket 7 miles from the beautiful town of Pezenas and 6 miles from
Clermont l'Hérault. Nearest beaches are a 20 mile drive. The lac du
salagou, St. Guilhem le Désert, Gignac and the larger cities of
Montpellier and Béziers are all within easy reach.
Its roof has a single face, sloped upward
practically from the
ground on the north side to its crest at the top of the southern side
of the house. The house hence turns its back to the north and is
oriented to
take full advantage of the sunshine. The southern face of the house is
a combination of glass windows and doors and heat absorbing surfaces
within which air and water flow. The latter are heated by the sun-rays
and circulated within the house thus supplying the occupants with ample
heating and hot water (see below for further explanation).
The interior of the house measures approximately 190m². The living and
dining areas and kitchen are essentially open-plan, but each function
is served in a separate space, the living room with fireplace is a few
steps down from the main dining area and lit by vast windows. Above
this area is a mezzanine area that serves as an office space. Each of
three bedrooms has a spatious mezzanine and access to the garden by way
of French windows. Each therefore benefits from the unobstructed
countryside view and sunshine. A bathroom with bath and shower and
double sink unit, utility and storage room, scullery and wood storage
bay and car shelter all make this a very comprehensive proposition. The
plentiful use of wood and traditional ceramic "par-feuille" floor
tiles, traditional ceramics in kitchen and bathroom, white walls,
wooden door and window frames - of which two semi-circular at either
end of the house - and irregular nature of the layout all give the
interior the warmth and character of an old house.
The house is unique and is very much a forerunner in environmentally
friendly houses in France. The three systems used that make this an
environmentally friendly house with very minimal energy needs are as
follows:
- Within the surfaces exposed to the sunshine, air is warmed and then
circulated by means of ventilators over a layer of pebbles beneath the
floor of the house. This gives the house a very high heat inertia and
the added comfort of warm floors.
- "Puits Canadiens", which draw in air from the outside and circulate
it in pipes in the ground in front of the house to absorb energy. This
works in a similar way to ground source heat pump devices to bring
warmed air from the outside in the winter and cool air in the summer.
- A log fireplace in the living room and a complimentary Godin stove in
the hallway leading from the main living room to the bedrooms.
The grounds extend around the house and measure 2420m². There are
number of trees, a large Eucalyptus and vines grow over a terrace. An
Empylopsis grows on the walls on the western side of the house. A
further 900m² can be purchased at extra cost.
All in all a very serious proposition for those seeking a spatious,
comfortable and warm house with the added curiosity and environmental
benefits of being highly energy efficient. It has been built to a very
high "no expense spared" specification.
The asking price is 398,000€.
Further photographs are available on
request. The details can also be
viewed on the web site at the following address:
http://www.jamespropertiesfrance.com/viewpropNP.php?id=310
Also, coming soon, a pretty stone farmhouse, newly restored,
in the Cevennes 20 minutes
from Alès and 15 minutes from St. Jean du Gard. It has a surface area
of 100m² with living room,
kitchen, three bedrooms, bathroom and laundry room and stands on
grounds of 1100m² with stunning views. There are two stone
outbuildings, one of which has been converted into a small gite, and
the
other, a workshop. The asking price is 299,600€.

+33 626 581 415
Enquiries can be made
through the following page:
http://www.jamespropertiesfrance.com/contact.php
About James Properties France:
Based in Montpellier in the south of France, bringing to you a
carefully picked selection of properties within a 70 mile radius - with
the occasional more distant exception - that are chosen for their
combinations of attributes, most notably:
- Setting of outstanding natural beauty
- Distinct character or unusual features
- Quality of renovation or authenticity
- Value for money
James Properties France serves primarily an English speaking, though
often highly Francophile clientele looking to move or own a second home
in the south of France around such places as Uzes, Nîmes, Montpellier,
Anduze, St. Hippolyte du Fort, the Southern Cevennes, Gignac and
Clermont l'Herault and the Hauts Cantons.
Besides being a rich source of housing options, James Properties France
represents a useful accompaniment during the process of viewing and
purchasing a house.
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